It’s not often you find a director who’s so passionate about his craft that he has a new movie about whales in the works.
In fact, The Mummy director Andrew Stanton is currently working on a new animated film about an anthropomorphic sea turtle called the Sea Turtle.
The project is called The Muddy Mermaid, and is slated to premiere at the Toronto International Film Festival this summer.
“I’m very excited about this,” Stanton told EW during an interview at his home in the United Kingdom.
“It’s been a dream of mine to do a sea turtle animated movie for 20 years now.
I’ve got a fantastic crew.
They have such great taste.
They know how to do great work.
I think it’s a very special time for me.”
It’s unclear whether the Mummy film will follow the original 1976 film that Stanton helmed, but it’s likely that he will adapt the work of longtime director John Ford.
“John Ford is a great man and a very talented director,” Stanton said.
“He was a huge influence on me, so I’m very fortunate that we’ve worked together in a long time.”
The Muddys new project will be directed by Andrew Stanton, who also directed Jurassic Park and Mission Impossible III.
Stanton said he was inspired to direct a sea creature by watching Ford’s work on the original Jurassic Park, which featured a sea slug and a sea horse that lived in the same environment as the creatures.
“When you see that creature in the film, it was very close to me, but I think what really made me want to do it was seeing him working on the film and seeing that sea slug in it, and thinking ‘Wow, I’m going to make something that’s similar to what they’re doing in Jurassic Park,'” Stanton said of his inspiration.
“And that was very much what inspired me.”
The Sea Turtle, which is set to premiere this summer, will feature a whale in the title role and will have a “very strong female lead.”
The director says that it will be a “young” film.
“There’s a lot of excitement and anticipation,” he said.
Stanton added that his film will not be based on the real-life story of the Sea Turtles, but will instead take place “in the past,” with the “fictional world” that is now in existence.
“We’ve made the transition from the real world to the fictional world in a way that we feel will really connect the film with the fans,” Stanton added.
“This film is a lot more about the real Sea Turtles in the past.
We’re very excited to explore that.”
He said that his first step in adapting the film was to make sure that the “sensory experience” of the movie was “as authentic as possible.”
“We want to make the characters and their environment as real as possible, and the sea is a very important part of that,” he explained.
“So, the idea was to bring that whole sensory experience to the characters, and make it as authentic as we can.
It’s going to be a very young film, and it’s going a very different direction, but the characters will be the same.”
It sounds like this movie is going to explore themes such as love, family, and faith.
“They’re the most fundamental things in my life,” Stanton continued.
“As a filmmaker, as an artist, and as a human being, there’s always something that I think about.
I’m really interested in that story, and I want to bring a whole new dimension to it.” “
But we’re very interested in the story of Sea Turtles and our relationship with them.
I’m really interested in that story, and I want to bring a whole new dimension to it.”
The original Sea Turtle was created by artist John Carter and was featured in a 1969 issue of Vanity Fair.
The Sea Turtles are a species of sea turtle that live on the Pacific coast of Japan and have a reputation for being fierce, fearsome, and aggressive.
They are also known as “Sea Devils” in Japan, and their “lion’s paw” nickname has been attributed to the Japanese Emperor Hirohito.
“In the beginning, I knew this was going to get into some weird territory, but we were very lucky that it didn’t turn out that way,” Stanton revealed.
“The Sea Turtle is a real, living, breathing animal, and that’s what the movie is about.
It really does have that essence to it.
It feels very natural to me.
It makes me think of something very close.”
He added that it was “quite a different experience” to work on a project that was based on a real story.
“You really don’t get to know the people in the movie,” Stanton explained.
“[Director] Cameron [Benjamin] is such a great artist and such a fantastic filmmaker.
We work really well together.
I was a very happy person to work with him.
It was very easy to work together